Step #6 – Comping Series 4: Solo Piano
Stage 3 | Lesson: 28 | Step 6 - (Repertoire) It’s hard to believe but a lot of solo piano involves comping for yourself. When you listen to this don…
Course Categories: stage 3
Step #7 – Secondary Dominant Application
Stage 3 | Lesson: 28 | Step 7 - (Repertoire) In this step we’re integrating our secondary dominant reharm tool into the tune we’ve been working on…
Step #8 – Comping Series 4: Solo Piano Application
Stage 3 | Lesson: 28 | Step 8 - (Repertoire) In this step we’ll be taking our solo piano comping tool we worked on and implementing it into the tune…
Step #3 – Translating Ideas: Sixteenth Notes
Stage 3 | Lesson: 27 | Step 3 - (Repertoire) We’re still building off of our previous rhythms by using sixteenth notes. This will be more challengin…
Step #4 – Comping Series 3: Textures
Stage 3 | Lesson: 27 | Step 4 - (Repertoire) Creating contrasting textures in your comping is the name of the game. If you’re doing the same thing o…
Step #5 – Reharm Combination Application
Stage 3 | Lesson: 27 | Step 5 - (Repertoire) In this step we’re integrating the combinations of our reharms in the tune we’ve been working on, “…
Step #6 – Comping Series 3: Textures Application
Stage 3 | Lesson: 27 | Step 6 - (Repertoire) In this step we’ll be integrating our comping textures into the tune “I Should Care”.
Step #2 – Reharm Combination Line
Stage 3 | Lesson: 27 | Step 2 - (Repertoire) Here is a great reharm combination line that will help your technique and allow you to hear the sound tha…
Step #1 – Relative 2 & Tritone Combination Reharm
Stage 3 | Lesson: 27 | Step 1 - (Repertoire) This reharm combination can be heard all over the jazz world. It’s extremely popular and is a great way…
Step #3 – Translate Ideas: Triplets
Stage 3 | Lesson: 26 | Step 3 - (Improvisation) This exercise from our continuous improv series could be the best rhythm of them all because triplets …