Course Categories: stage 2

Choose a search result from below.

* Brenden Lowe

Step #5 – Bass Lines 4: Diatonic Movement

Stage 2 | Lesson: 24 | Step 5 – (Theory) Creating diatonic movement within your bass lines is how we’re going to connect our bass lines together. You can think of the diatonic movement as the glue that holds everything together.

Enter Now »
* Brenden Lowe

Step #3 – Double Chromatic Line

Stage 2 | Lesson: 24 | Step 3 – (Technique) The double chromatic line is an extremely important bebop approach in your improvisation toolbox. We’ll be covering how and when you can use this.

Enter Now »
* Brenden Lowe

Step #4 – LH Tenths Strategy

Stage 2 | Lesson: 23 | Step 4 – (Theory) Don’t freak out when you hear the word tenths. There are a lot of ways to utilize this strategy even if you cannot reach them. Tenths allow for many opportunities in jazz piano even if you roll them or jump.

Enter Now »

Course Categories: stage 2

Choose a search result from below.

* Brenden Lowe

Step #5 – Bass Lines 4: Diatonic Movement

Stage 2 | Lesson: 24 | Step 5 – (Theory) Creating diatonic movement within your bass lines is how we’re going to connect our bass lines together. You can think of the diatonic movement as the glue that holds everything together.

Enter Now »
* Brenden Lowe

Step #3 – Double Chromatic Line

Stage 2 | Lesson: 24 | Step 3 – (Technique) The double chromatic line is an extremely important bebop approach in your improvisation toolbox. We’ll be covering how and when you can use this.

Enter Now »
* Brenden Lowe

Step #4 – LH Tenths Strategy

Stage 2 | Lesson: 23 | Step 4 – (Theory) Don’t freak out when you hear the word tenths. There are a lot of ways to utilize this strategy even if you cannot reach them. Tenths allow for many opportunities in jazz piano even if you roll them or jump.

Enter Now »
Jazz Piano School Members Portal