#3 – Try letting some whole notes be whole notes without emphasizing beat 3 with either hand to let melody sing out
#4 – Major 7th 5, #5, 6 or #5, 7, 6 fill movement
#5 – Reharm Dominant chords as sus chords and remove the ii-7 in the progression
#6 – Half step below diminished into minor 7th chords.
#7 – Use one b9 or b13 on all dominant chords.
#8 – Altered Voicings
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