Stage 3 - Sealing It Up
(Journey)

Select a lesson below to start your journey.

Journey-Created-2

Stage 3 - Sealing It Up

About:

I like to call this stage “The Point Of No Return”. We’re sealing up the walls and painting. No going back. But if you are ready to start here then you’re in for a treat because we open up reharm strategies to you. Why is this important? Because it allows you to use all the previous tools you’ve learned in thousands of different ways…yes… thousands. Incredible, right?! We also explore goodies such as the ballad, block chords, and more.

COURSE LESSONS

  • Lesson 25
    • Lesson 25 Overview
    • Step #1 – Reharm Series 1: Tritone Substitution
    • Step #2 – Tritone Line
    • Step #3 – Translate Ideas: Continuous 8th Notes
    • Step #4 – Comping Series 1: Two Hand Voicings
    • Step #5 – “I Should Care” Analysis
    • Step #6 – Tritone Application
    • Step #7 – Comping Series 1: Two Hand Voicings Application
  • Lesson 26
    • Lesson 26 Overview
    • Step #1 – Reharm Series 2: Relative 2 Minor
    • Step #2 – Relative 2 Minor Line 
    • Step #3 – Translate Ideas: Triplets
    • Step #4 – Comping Series 2: Rhythms
    • Step #5 – Relative Minor Reharm Application
    • Step #6 – Comping Series 2: Rhythms Application
  • Lesson 27
    • Lesson 27 Overview
    • Step #1 – Relative 2 & Tritone Combination Reharm
    • Step #2 – Reharm Combination Line
    • Step #3 – Translating Ideas: Sixteenth Notes
    • Step #4 – Comping Series 3: Textures
    • Step #5 – Reharm Combination Application
    • Step #6 – Comping Series 3: Textures Application
  • Lesson 28
    • Lesson 28 Overview
    • Step #1 – Secondary Dominant Reharm
    • Step #2 – Secondary Dom, Tritone, & Relative 2 Minor Reharm
    • Step #3 – Diminished Chords
    • Step #4 – Secondary Dominant Line
    • Step #5 – All Continuous Improvisation
    • Step #6 – Comping Series 4: Solo Piano
    • Step #7 – Secondary Dominant Application
    • Step #8 – Comping Series 4: Solo Piano Application
  • Lesson 29
    • Lesson 29 Overview
    • Step #1 – Sus Chords & Reharm
    • Step #2 – How To Voice Sus Chords
    • Step #3 – How To Use Sus Chords
    • Step #4 – Passing Chord Series 1: Diatonic Movement
    • Step #5 – Sus Chords Line
    • Step #6 – Intro Series, Part 1
    • Step #7 – Outro Series, Part 1 
    • Step #8 – Ballad Series, Part 1
    • Step #9 – Group Ballad Playing
    • Step #10 – Ballad Improv Series 1
    • Step #11 – LH Ballad Comping
    • Step #12 – “Nearness Of You” Analysis
    • Step #13 – Sus Chord Reharm Application
    • Step #14 – Passing Chord Series 1: Diatonic Movement Application
    • Step #15 – Ballad Improv Application
    • Step #16 – LH Ballad Comping Application
  • Lesson 30
    • Lesson 30 Overview
    • Step #1 – Sus Reharm 2
    • Step #2 – Sus Chords In A Blues
    • Step #3 – Passing Chord Series 2: Diminished Chords
    • Step #4 – Tritone Sus & Diminished Lines
    • Step #5 – Intro Series 2
    • Step #6 – Outro Series 2
    • Step #7 – Ballad Series 2
    • Step #8 – Group Ballad
    • Step #9 – Comping a Ballad in a Group
    • Step #10 – Ballad Improv Series 2
    • Step #11 – LH Ballad Comping Group
    • Step #12 – Intro Series Application
    • Step #13 – Reharm Sus, Tritone, Passing Chords, Application
    • Step #14 – Ballad Series 2 Application
    • Step #15 – Ballad Comping 2 Application 
    • Step #16 – Ballad Improv 2 Application
    • Step #17 – LH Comping 2 Application
  • Lesson 31
    • Lesson 31 Overview
    • Step #1 – Passing Chord Series 3: Diminished Sus Reharm
    • Step #2 – Block Chord Intro
    • Step #3 – Passing Block Chords
    • Step #4 – Passing Chord Technique
    • Step #5 – Intro Series 3
    • Step #6 – Creating Your Own Intros
    • Step #7 – Outro Series 3
    • Step #8 – Block Chords in Ballads
    • Step #9 – Double Time Feel in Ballads
    • Step #10 – Ballad Improv Series 3
    • Step #11 – LH Comping Single Note Line
    • Step #12 – Passing Chord Series 3 Application
    • Step #13 – Ballad Double Time Feel Application
    • Step #14 – Ballad Improvisation Application
    • Step #15 – Intro Series Application
    • Step #16 – Outro Series Application
    • Step #17 – LH Single Note Application
  • Lesson 32
    • Lesson 32 Overview
    • Step #1 – Drop 2 Voicings
    • Step #2 – Passing Chord Series 4: Inversions
    • Step #3 – Passing Chord Series Wrap Up
    • Step #4 – Arpeggiated 3rds
    • Step #5 – Intro Series 4: The Ballad
    • Step #6 – Outro Series 4: The Ballad
    • Step #7 – Ballad Series 4
    • Step #8 – Ballad Improv Series 4
    • Step #9 – LH Comping, Part 4
    • Step #10 – Passing Chord Series 4: Inversions Application
    • Step #11 – Ballad Intro Application
    • Step #12 – Ballad Outro Application
    • Step #13 – Ballad Series 4 Application
    • Step #14 – Ballad Improv Application
    • Step #15 – LH Comping Application
  • Open All · Close All

CERTIFICATES

Stage 3 - Sealing It Up
(Library)

Browse all the lessons in Stage 3 by category.

Library-Transparent

Stage 3 Full Lesson Text

Stage 3 Full Practice Exercise Book

Stage 3 Full Exercise Workbook

thin-theory
thin-technique
thin-improv-banner
thin-repertoire

Lesson 25 | Step 1 - Reharm Series 1: Tritone Substitution

Lesson 26 | Step 1 - Reharm Series 2: Relative 2 Minor

Lesson 27 | Step 1 - Relative 2 & Tritone Combination Reharm

Lesson 28 | Step 1 - Secondary Dominant Reharm

Lesson 28 | Step 3 - Secondary Dom, Tritone, & Relative 2 Minor Reharm

Lesson 28 | Step 3 - Diminished Chords

Lesson 29 | Step 1 - Sus Chords Reharm

Lesson 29 | Step 2 - How To Voice Sus Chords

Lesson 29 | Step 3 - How To Use Sus Chords

Lesson 29 | Step 4 - Passing Chord Series 1: Diatonic Movement

Lesson 30 | Step 1 - Sus Reharm 2

Lesson 30 | Step 2 - Sus Chords in a Blues

Lesson 30 | Step 3 - Passing Chord Series2: Diminished Chords

Lesson 31 | Step 1 - Passing Chord Series 3: Diminished Sus Reharm

Lesson 31 | Step 2 - Block Chord Intro

Lesson 31 | Step 3 - Passing Block Chords

Lesson 32 | Step 1 - Drop 2 Voicings

Lesson 32 | Step 2 - Passing Chord Series 4: Inversions

Lesson 32 | Step 3 - Passing Chord Series Wrap Up

Lesson 25 | Step 2 - Tritone Line

Lesson 26 | Step 2 - Relative Minor Line

Lesson 27 | Step 2 - Reharm Combination Line

Lesson 28 | Step 4 - Secondary Dominant Line

Lesson 29 | Step 5 - Sus Chords Line

Lesson 30 | Step 4 - Tritone Sus Diminished Lines

Lesson 31 | Step 4 - Passing Chord Technique

Lesson 32 | Step 4 - Arpeggiated 3rds

Lesson 25 | Step 3 - Translate Ideas: Continuous 8th Notes

Lesson 26 | Step 3 - Translate Ideas: Triplets

Lesson 27 | Step 3 - Translate Ideas: Sixteenth Notes

Lesson 28 | Step 5 - All Continuous Improvisation

Lesson 29 | Step 10 - Ballad Improv Series 1

Lesson 29 | Step 15 - Ballad Improv Application

Lesson 30 | Step 10 - Ballad Improv Series 2

Lesson 31 | Step 10 - Ballad Improv Series 3

Lesson 32 | Step 8 - Ballad Improv Series 4

Lesson 25 | Step 4 - Comping Series 1: Two Hand Voicings

Lesson 25 | Step 5 - "I Should Care" Analysis

Lesson 25 | Step 6 - Tritone Application

Lesson 25 | Step 7 - Comping Series 1: Two Hand Voicings Application

Lesson 26 | Step 4 - Comping Series 2: Rhythms

Lesson 26 | Step 5 - Relative Minor Reharm Application

Lesson 26 | Step 6 - Comping Series 2: Rhythms Application

Lesson 27 | Step 4 - Comping Series 3: Textures

Lesson 27 | Step 5 - Reharm Combination Application

Lesson 27 | Step 6 - Comping Series 3: Textures Application

Lesson 28 | Step 6 - Comping Series 4: Solo Piano

Lesson 28 | Step 7 - Secondary Dominant Application

Lesson 28 | Step 8 - Comping Series 4: Solo Piano Application

Lesson 29 | Step 6 - Intro Series, Part 1

Lesson 29 | Step 7 - Outro Series, Part 1

Lesson 29 | Step 8 - Ballad Series, Part 1

Lesson 29 | Step 9 - Group Ballad Playing

Lesson 29 | Step 11 - LH Ballad Comping

Lesson 29 | Step 12 - "Nearness of You" Analysis

Lesson 29 | Step 13 - Sus Chord Reharm Application

Lesson 29 | Step 14 - Passing Chord Series 1: Diatonic Movement Application

Lesson 29 | Step 16 - LH Ballad Comping Application

Lesson 30 | Step 5 - Intro Series 2

Lesson 30 | Step 6 - Outro Series 2

Lesson 30 | Step 7 - Ballad Series 2

Lesson 30 | Step 8 - Group Ballad Series 2

Lesson 30 | Step 9 - Comping A Ballad In A Group

Lesson 30 | Step 11 - LH Ballad Comping Group

Lesson 30 | Step 12 - Intro Series Application

Lesson 30 | Step 13 - Reharm Sus Tritone Passing Chords Application

Lesson 30 | Step 13 - Reharm Sus, Tritone, Passing Chords Application

Lesson 30 | Step 14 - Ballad Series 2 Application

Lesson 30 | Step 15 - Ballad Comping 2 Application

Lesson 30 | Step 16 - Ballad Improv 2 Application

Lesson 30 | Step 17 - LH Comping 2 Application

Lesson 31 | Step 5 - Intro Series 3

Lesson 31 | Step 6 - Creating Your Own Intros

Lesson 31 | Step 7 - Outro Series 3

Lesson 31 | Step 8 - Block Chords in Ballads

Lesson 31 | Step 9 - Double Time Feel In Ballads

Lesson 31 | Step 11 - Comping Single Note Line

Lesson 31 | Step 12 - Passing Chord Series 3: Application

Lesson 31 | Step 13 - Ballad Double Time Feel Application

Lesson 31 | Step 14 - Ballad Improvisation Application

Lesson 31 | Step 15 - Intro Series Application

Lesson 31 | Step 16 - Outro Series Application

Lesson 31 | Step 17 - LH Single Note Application

Lesson 32 | Step 5 - Intro Series 4: The Ballad

Lesson 32 | Step 6 - Outro Series 4: The Ballad

Lesson 32 | Step 7 - Ballad Series 4

Lesson 32 | Step 9 - LH Comping, Part 4

Lesson 32 | Step 10 - Passing Chord Series 4: Inversions Application

Lesson 32 | Step 11 - Ballad Intro Application

Lesson 32 | Step 12 - Ballad Outro Application

Lesson 32 | Step 13 - Ballad Series 4 Application

Lesson 32 | Step 14 - Ballad Improv Application

Lesson 32 | Step 15 - LH Comping Application

Stage 3 - Sealing It Up
(Journey)

Select a lesson below to start your journey.

Journey-Created-2

About:

I like to call this stage “The Point Of No Return”. We’re sealing up the walls and painting. No going back. But if you are ready to start here then you’re in for a treat because we open up reharm strategies to you. Why is this important? Because it allows you to use all the previous tools you’ve learned in thousands of different ways…yes… thousands. Incredible, right?! We also explore goodies such as the ballad, block chords, and more.

COURSE LESSONS

  • Lesson 25
    • Lesson 25 Overview
    • Step #1 – Reharm Series 1: Tritone Substitution
    • Step #2 – Tritone Line
    • Step #3 – Translate Ideas: Continuous 8th Notes
    • Step #4 – Comping Series 1: Two Hand Voicings
    • Step #5 – “I Should Care” Analysis
    • Step #6 – Tritone Application
    • Step #7 – Comping Series 1: Two Hand Voicings Application
  • Lesson 26
    • Lesson 26 Overview
    • Step #1 – Reharm Series 2: Relative 2 Minor
    • Step #2 – Relative 2 Minor Line 
    • Step #3 – Translate Ideas: Triplets
    • Step #4 – Comping Series 2: Rhythms
    • Step #5 – Relative Minor Reharm Application
    • Step #6 – Comping Series 2: Rhythms Application
  • Lesson 27
    • Lesson 27 Overview
    • Step #1 – Relative 2 & Tritone Combination Reharm
    • Step #2 – Reharm Combination Line
    • Step #3 – Translating Ideas: Sixteenth Notes
    • Step #4 – Comping Series 3: Textures
    • Step #5 – Reharm Combination Application
    • Step #6 – Comping Series 3: Textures Application
  • Lesson 28
    • Lesson 28 Overview
    • Step #1 – Secondary Dominant Reharm
    • Step #2 – Secondary Dom, Tritone, & Relative 2 Minor Reharm
    • Step #3 – Diminished Chords
    • Step #4 – Secondary Dominant Line
    • Step #5 – All Continuous Improvisation
    • Step #6 – Comping Series 4: Solo Piano
    • Step #7 – Secondary Dominant Application
    • Step #8 – Comping Series 4: Solo Piano Application
  • Lesson 29
    • Lesson 29 Overview
    • Step #1 – Sus Chords & Reharm
    • Step #2 – How To Voice Sus Chords
    • Step #3 – How To Use Sus Chords
    • Step #4 – Passing Chord Series 1: Diatonic Movement
    • Step #5 – Sus Chords Line
    • Step #6 – Intro Series, Part 1
    • Step #7 – Outro Series, Part 1 
    • Step #8 – Ballad Series, Part 1
    • Step #9 – Group Ballad Playing
    • Step #10 – Ballad Improv Series 1
    • Step #11 – LH Ballad Comping
    • Step #12 – “Nearness Of You” Analysis
    • Step #13 – Sus Chord Reharm Application
    • Step #14 – Passing Chord Series 1: Diatonic Movement Application
    • Step #15 – Ballad Improv Application
    • Step #16 – LH Ballad Comping Application
  • Lesson 30
    • Lesson 30 Overview
    • Step #1 – Sus Reharm 2
    • Step #2 – Sus Chords In A Blues
    • Step #3 – Passing Chord Series 2: Diminished Chords
    • Step #4 – Tritone Sus & Diminished Lines
    • Step #5 – Intro Series 2
    • Step #6 – Outro Series 2
    • Step #7 – Ballad Series 2
    • Step #8 – Group Ballad
    • Step #9 – Comping a Ballad in a Group
    • Step #10 – Ballad Improv Series 2
    • Step #11 – LH Ballad Comping Group
    • Step #12 – Intro Series Application
    • Step #13 – Reharm Sus, Tritone, Passing Chords, Application
    • Step #14 – Ballad Series 2 Application
    • Step #15 – Ballad Comping 2 Application 
    • Step #16 – Ballad Improv 2 Application
    • Step #17 – LH Comping 2 Application
  • Lesson 31
    • Lesson 31 Overview
    • Step #1 – Passing Chord Series 3: Diminished Sus Reharm
    • Step #2 – Block Chord Intro
    • Step #3 – Passing Block Chords
    • Step #4 – Passing Chord Technique
    • Step #5 – Intro Series 3
    • Step #6 – Creating Your Own Intros
    • Step #7 – Outro Series 3
    • Step #8 – Block Chords in Ballads
    • Step #9 – Double Time Feel in Ballads
    • Step #10 – Ballad Improv Series 3
    • Step #11 – LH Comping Single Note Line
    • Step #12 – Passing Chord Series 3 Application
    • Step #13 – Ballad Double Time Feel Application
    • Step #14 – Ballad Improvisation Application
    • Step #15 – Intro Series Application
    • Step #16 – Outro Series Application
    • Step #17 – LH Single Note Application
  • Lesson 32
    • Lesson 32 Overview
    • Step #1 – Drop 2 Voicings
    • Step #2 – Passing Chord Series 4: Inversions
    • Step #3 – Passing Chord Series Wrap Up
    • Step #4 – Arpeggiated 3rds
    • Step #5 – Intro Series 4: The Ballad
    • Step #6 – Outro Series 4: The Ballad
    • Step #7 – Ballad Series 4
    • Step #8 – Ballad Improv Series 4
    • Step #9 – LH Comping, Part 4
    • Step #10 – Passing Chord Series 4: Inversions Application
    • Step #11 – Ballad Intro Application
    • Step #12 – Ballad Outro Application
    • Step #13 – Ballad Series 4 Application
    • Step #14 – Ballad Improv Application
    • Step #15 – LH Comping Application
  • Open All · Close All

CERTIFICATES

Stage 3 - Sealing It Up
(Library)

Browse all the lessons in Stage 3 by category.

Library-Transparent

Stage 3 Full Lesson Text

Stage 3 Full Practice Exercise Book

Stage 3 Full Exercise Workbook

thin-theory

Lesson 25 | Step 1 - Reharm Series 1: Tritone Substitution

Lesson 26 | Step 1 - Reharm Series 2: Relative 2 Minor

Lesson 27 | Step 1 - Relative 2 & Tritone Combination Reharm

Lesson 28 | Step 1 - Secondary Dominant Reharm

Lesson 28 | Step 3 - Secondary Dom, Tritone, & Relative 2 Minor Reharm

Lesson 28 | Step 3 - Diminished Chords

Lesson 29 | Step 1 - Sus Chords Reharm

Lesson 29 | Step 2 - How To Voice Sus Chords

Lesson 29 | Step 3 - How To Use Sus Chords

Lesson 29 | Step 4 - Passing Chord Series 1: Diatonic Movement

Lesson 30 | Step 1 - Sus Reharm 2

Lesson 30 | Step 2 - Sus Chords in a Blues

Lesson 30 | Step 3 - Passing Chord Series2: Diminished Chords

Lesson 31 | Step 1 - Passing Chord Series 3: Diminished Sus Reharm

Lesson 31 | Step 2 - Block Chord Intro

Lesson 31 | Step 3 - Passing Block Chords

Lesson 32 | Step 1 - Drop 2 Voicings

Lesson 32 | Step 2 - Passing Chord Series 4: Inversions

Lesson 32 | Step 3 - Passing Chord Series Wrap Up

thin-technique

Lesson 25 | Step 2 - Tritone Line

Lesson 26 | Step 2 - Relative Minor Line

Lesson 27 | Step 2 - Reharm Combination Line

Lesson 28 | Step 4 - Secondary Dominant Line

Lesson 29 | Step 5 - Sus Chords Line

Lesson 30 | Step 4 - Tritone Sus Diminished Lines

Lesson 31 | Step 4 - Passing Chord Technique

Lesson 32 | Step 4 - Arpeggiated 3rds

thin-improv-banner

Lesson 25 | Step 3 - Translate Ideas: Continuous 8th Notes

Lesson 26 | Step 3 - Translate Ideas: Triplets

Lesson 27 | Step 3 - Translate Ideas: Sixteenth Notes

Lesson 28 | Step 5 - All Continuous Improvisation

Lesson 29 | Step 10 - Ballad Improv Series 1

Lesson 29 | Step 15 - Ballad Improv Application

Lesson 30 | Step 10 - Ballad Improv Series 2

Lesson 31 | Step 10 - Ballad Improv Series 3

Lesson 32 | Step 8 - Ballad Improv Series 4

thin-repertoire

Lesson 25 | Step 4 - Comping Series 1: Two Hand Voicings

Lesson 25 | Step 5 - "I Should Care" Analysis

Lesson 25 | Step 6 - Tritone Application

Lesson 25 | Step 7 - Comping Series 1: Two Hand Voicings Application

Lesson 26 | Step 4 - Comping Series 2: Rhythms

Lesson 26 | Step 5 - Relative Minor Reharm Application

Lesson 26 | Step 6 - Comping Series 2: Rhythms Application

Lesson 27 | Step 4 - Comping Series 3: Textures

Lesson 27 | Step 5 - Reharm Combination Application

Lesson 27 | Step 6 - Comping Series 3: Textures Application

Lesson 28 | Step 6 - Comping Series 4: Solo Piano

Lesson 28 | Step 7 - Secondary Dominant Application

Lesson 28 | Step 8 - Comping Series 4: Solo Piano Application

Lesson 29 | Step 6 - Intro Series, Part 1

Lesson 29 | Step 7 - Outro Series, Part 1

Lesson 29 | Step 8 - Ballad Series, Part 1

Lesson 29 | Step 9 - Group Ballad Playing

Lesson 29 | Step 11 - LH Ballad Comping

Lesson 29 | Step 12 - "Nearness of You" Analysis

Lesson 29 | Step 13 - Sus Chord Reharm Application

Lesson 29 | Step 14 - Passing Chord Series 1: Diatonic Movement Application

Lesson 29 | Step 16 - LH Ballad Comping Application

Lesson 30 | Step 5 - Intro Series 2

Lesson 30 | Step 6 - Outro Series 2

Lesson 30 | Step 7 - Ballad Series 2

Lesson 30 | Step 8 - Group Ballad Series 2

Lesson 30 | Step 9 - Comping A Ballad In A Group

Lesson 30 | Step 11 - LH Ballad Comping Group

Lesson 30 | Step 12 - Intro Series Application

Lesson 30 | Step 13 - Reharm Sus Tritone Passing Chords Application

Lesson 30 | Step 13 - Reharm Sus, Tritone, Passing Chords Application

Lesson 30 | Step 14 - Ballad Series 2 Application

Lesson 30 | Step 15 - Ballad Comping 2 Application

Lesson 30 | Step 16 - Ballad Improv 2 Application

Lesson 30 | Step 17 - LH Comping 2 Application

Lesson 31 | Step 5 - Intro Series 3

Lesson 31 | Step 6 - Creating Your Own Intros

Lesson 31 | Step 7 - Outro Series 3

Lesson 31 | Step 8 - Block Chords in Ballads

Lesson 31 | Step 9 - Double Time Feel In Ballads

Lesson 31 | Step 11 - Comping Single Note Line

Lesson 31 | Step 12 - Passing Chord Series 3: Application

Lesson 31 | Step 13 - Ballad Double Time Feel Application

Lesson 31 | Step 14 - Ballad Improvisation Application

Lesson 31 | Step 15 - Intro Series Application

Lesson 31 | Step 16 - Outro Series Application

Lesson 31 | Step 17 - LH Single Note Application

Lesson 32 | Step 5 - Intro Series 4: The Ballad

Lesson 32 | Step 6 - Outro Series 4: The Ballad

Lesson 32 | Step 7 - Ballad Series 4

Lesson 32 | Step 9 - LH Comping, Part 4

Lesson 32 | Step 10 - Passing Chord Series 4: Inversions Application

Lesson 32 | Step 11 - Ballad Intro Application

Lesson 32 | Step 12 - Ballad Outro Application

Lesson 32 | Step 13 - Ballad Series 4 Application

Lesson 32 | Step 14 - Ballad Improv Application

Lesson 32 | Step 15 - LH Comping Application

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2024

Jazz Piano School Inc.

® All Rights Reserved
Privacy Policy | Terms & Conditions

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