Step #3 – Passing Chord Series 2: Diminished Chords
Stage 3 | Lesson: 30 | Step 3 - (Theory) The passing diminished chord sound is most widely known from the great educator Barry Harris. We will take a …
Course Categories: theory
Step #1 – Sus Reharm 2
Stage 3 | Lesson: 30 | Step 1 - (Theory) Here we expand upon our Sus chord reharm tool by not resolving at all to the dominant chord! We also combine …
Step #2 – Sus Chords In A Blues
Stage 3 | Lesson: 30 | Step 2 - (Theory) If you’re not already doing this, then this concept will completely reinvent your blues playing and give it…
Step #1 – Sus Chords & Reharm
Stage 3 | Lesson: 29 | Step 1 - (Theory) This simple sus chord reharm strategy will completely open new sounds, atmospheres and textures within your p…
Step #2 – How To Voice Sus Chords
Stage 3 | Lesson: 29 | Step 2 - (Theory) You can voice a sus chord in many different ways but in this step we’ll go over the most popular and easies…
Step #3 – How To Use Sus Chords
Stage 3 | Lesson: 29 | Step 3 - (Theory) Ultimately, sus chords can be used however YOU want. In this step you’ll learn some general guidelines that…
Step #4 – Passing Chord Series 1: Diatonic Movement
Stage 3 | Lesson: 29 | Step 4 - (Repertoire) Passing chords are a great way to fill space when a harmony is sitting in the same spot for 2 bars. What …
Step #1 – Secondary Dominant Reharm
Stage 3 | Lesson: 28 | Step 1 - (Theory) The secondary dominant reharm is an amazing tool that we’ll combine with the other reharms we’ve learned.…
Step #2 – Secondary Dom, Tritone, & Relative 2 Minor Reharm
Stage 3 | Lesson: 28 | Step 2 - (Theory) This is the big kahuna of reharm combination. If you haven’t learned each reharm thoroughly on it’s own, …
Step #3 – Diminished Chords
Stage 3 | Lesson: 28 | Step 3 - (Theory) Diminished chords are usually slightly mysterious to the jazz student. In this step will explain what they ar…