Step #7 – Hexatonic -7b5 Chords (bVII, Io)
Stage 5 | Lesson: 44 | Step 7 - (improvisation) I love the texture that his hexatonic sound produces because of the natural 11 that contrasts with the…
Course Categories: stage 5
Step #1 – Gospel Licks
Stage 5 | Lesson: 44 | Step 1 - (technique) Gospel lines have a very slight difference from jazz lines. At the same time you can use jazz extensions a…
Step #2 – Hexatonic -7b5 Chords (bVII, Io)
Stage 5 | Lesson: 44 | Step 2 - (theory) -7b5 chords are hard enough to understand and improvise over. Be sure you’re extremely comfortable soloing …
Step #3 – Gospel/Church Style
Stage 5 | Lesson: 44 | Step 3 - (theory) The gospel/church style is a fantastic sound that has a lot of blues influence and mainly removes 7th chords.…
Step #4 – Dominant Popular Voicings 2
Stage 5 | Lesson: 44 | Step 4 - (theory) This is a great voicing to use over a dominant chord because of the #9 and half step it creates with the 3rd.…
Step #9 – Minor Blues Analysis
Stage 5 | Lesson: 43 | Step 9 - (repertoire) In this step we’ll be going over a minor blues analysis. It’s not THAT different but there are obviou…
Step #1 – Blues Licks
Stage 5 | Lesson: 43 | Step 1 - (technique) This blues line is taken mostly from the mixolydian scale which produces more of a dry blues sound compare…
Step #2 – Hexatonic Minor Major Chords (VIo, VIIo)
Stage 5 | Lesson: 43 | Step 2 - (theory) I absolutely love this sound and I know you will too! The combination of diminished triads used over the mino…
Step #3 – Blues Style Theory
Stage 5 | Lesson: 43 | Step 3 - (theory) Even though the blues may appear simple, it’s got deep rabbit holes. We dive deep into the blues style in t…
Step #4 – LH Major 7th Voicings
Stage 5 | Lesson: 43 | Step 4 - (theory) These are all the LH Major 7th voicings you can use and integrate into your playing.