Step #6 – Hexatonic Dominant 9, #11 (bVII+, I)
Stage 5 | Lesson: 48 | Step 6 - (improvisation) This particular hexatonic sound contains 2 extensions that work over the dominant 7th chord. The combi…
Course Categories: stage 5 improvisation
Step #7 – Coltrane Changes Improv Approaches
Stage 5 | Lesson: 48 | Step 7 - (improvisation) There are endless ways to improvise over Trane Changes but 2 of the most popular are the use of pentat…
Step #7 – Hexatonic Dominant b9, #9, #11 (I-, #IV-)
Stage 5 | Lesson: 47 | Step 7 - (improvisation) This particular combination of triads creates more of unique and out sound due to all of the extension…
Step #8 – Hexatonic Dominant b9 #11 Chords
Stage 5 | Lesson: 46 | Step 8 - (improvisation)
Step #9 – Hexatonic Altered Chords (bV, bVI)
Stage 5 | Lesson: 45 | Step 9 - (improvisation) As I mentioned before, it’s very important to hear all the individual extensions as they produce ver…
Step #7 – Hexatonic -7b5 Chords (bVII, Io)
Stage 5 | Lesson: 44 | Step 7 - (improvisation) I love the texture that his hexatonic sound produces because of the natural 11 that contrasts with the…
Step #8 – Hexatonic Minor Major Chords
Stage 5 | Lesson: 43 | Step 8 - (improvisation) We’ll work on improvisation with two diminished triads to produce a hexatonic texture over minor maj…
Step #10 – Hexatonic Major 7th
Stage 5 | Lesson: 42 | Step 10 - (improvisation) In this step we’re improvising over a major7th chord using the 3 and #6 diminished triad. Be sure y…
Step #13 – 3-4 Improv
Stage 5 | Lesson: 41 | Step 13 - (improvisation) Improvisation in a 3/4 time signature usually takes so time to get used to. Practice feeling the 3/4 …
Step #12 – Hexatonic Augmented 7th Chords (bVII+, I+) Improv
Stage 5 | Lesson: 41 | Step 12 - (improvisation) When improvising with augmented triads, it’s crucial your ear get accustom to the #5 sound. If it d…