Course Categories: stage 4

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* Brenden Lowe

Step #2 – Modes In 7ths

Stage 4 | Lesson: 40 | Step 2 – (technique) Continue to technically practice your modes in intervals of 7ths in order to help your hands learn this interval through the modes.

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* Brenden Lowe

Step #4 – All Of Me Analysis 4

Stage 4 | Lesson: 40 | Step 4 – (repertoire) Here we take a look at a medium swing solo piano tune and how we support the time and harmonies with our LH while playing the melody with our RH.

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* Brenden Lowe

Step #2 – Modes In 6ths

Stage 4 | Lesson: 39 | Step 2 – (technique) Here we’re working on modes using the interval of a 6th. This interval should fit most hands perfectly without having to close your fingers at all. You’ll be rocking back and forth between your thumb and pinky.

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* Brenden Lowe

Step #3 – Advanced 2 Hand Voicings Series Part 2

Stage 4 | Lesson: 39 | Step 3 – (theory) Here we’re combining upper structure triads with our LH shells. This particular set up is as good as it gets. This is a true authentic jazz voicing sound you’ll hear on albums and tracks. After this we’ll work to help you isolate and distinguish specific extensions so you’re choosing which ones you want to play.

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* Brenden Lowe

Step #4 – Drop 2 Top Line Harmonization

Stage 4 | Lesson: 39 | Step 4 – (theory) This little drop 2 harmonization strategy creates a gorgeous top line combination that is widely used in the professional jazz pianist world. The 3rds that this harmony creates can be expanded upon as well.

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* Brenden Lowe

Step #5 – Major Upper Structure Triads

Stage 4 | Lesson: 39 | Step 5 – (theory) There are some beautiful major upper structure triads. Obviously not as many as our dominant 7ths, but these will still give you some amazing colors to resolve to after you’ve played your 2 and 5 chords of a 2-5-1.

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Course Categories: stage 4

Choose a search result from below.

* Brenden Lowe

Step #2 – Modes In 7ths

Stage 4 | Lesson: 40 | Step 2 – (technique) Continue to technically practice your modes in intervals of 7ths in order to help your hands learn this interval through the modes.

Enter Now »
* Brenden Lowe

Step #4 – All Of Me Analysis 4

Stage 4 | Lesson: 40 | Step 4 – (repertoire) Here we take a look at a medium swing solo piano tune and how we support the time and harmonies with our LH while playing the melody with our RH.

Enter Now »
* Brenden Lowe

Step #2 – Modes In 6ths

Stage 4 | Lesson: 39 | Step 2 – (technique) Here we’re working on modes using the interval of a 6th. This interval should fit most hands perfectly without having to close your fingers at all. You’ll be rocking back and forth between your thumb and pinky.

Enter Now »
* Brenden Lowe

Step #3 – Advanced 2 Hand Voicings Series Part 2

Stage 4 | Lesson: 39 | Step 3 – (theory) Here we’re combining upper structure triads with our LH shells. This particular set up is as good as it gets. This is a true authentic jazz voicing sound you’ll hear on albums and tracks. After this we’ll work to help you isolate and distinguish specific extensions so you’re choosing which ones you want to play.

Enter Now »
* Brenden Lowe

Step #4 – Drop 2 Top Line Harmonization

Stage 4 | Lesson: 39 | Step 4 – (theory) This little drop 2 harmonization strategy creates a gorgeous top line combination that is widely used in the professional jazz pianist world. The 3rds that this harmony creates can be expanded upon as well.

Enter Now »
* Brenden Lowe

Step #5 – Major Upper Structure Triads

Stage 4 | Lesson: 39 | Step 5 – (theory) There are some beautiful major upper structure triads. Obviously not as many as our dominant 7ths, but these will still give you some amazing colors to resolve to after you’ve played your 2 and 5 chords of a 2-5-1.

Enter Now »
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