Step #1 – Hexatonic Series Sus Chords
Stage 4 | Lesson: 40 | Step 1 - (theory) In this step we’ll be using a hexatonic scale to improvise over sus chords in order to achieve a more moder…
Course Categories: stage 4 theory
Step #3 – Advanced 2 Hand Voicings Part 3
Stage 4 | Lesson: 40 | Step 3 - (theory) At this point you’ll have seen and played a lot of voicings. Remember that your foundation will be shells f…
Step #1 – Hexatonic Major 7th Chords (VI-, VII-)
Stage 4 | Lesson: 39 | Step 1 - (theory) This is a nice mellow hexatonic scale you can use over major 7th chords that provides the 13, and #11 extensi…
Step #3 – Advanced 2 Hand Voicings Series Part 2
Stage 4 | Lesson: 39 | Step 3 - (theory) Here we’re combining upper structure triads with our LH shells. This particular set up is as good as it get…
Step #4 – Drop 2 Top Line Harmonization
Stage 4 | Lesson: 39 | Step 4 - (theory) This little drop 2 harmonization strategy creates a gorgeous top line combination that is widely used in the …
Step #5 – Major Upper Structure Triads
Stage 4 | Lesson: 39 | Step 5 - (theory) There are some beautiful major upper structure triads. Obviously not as many as our dominant 7ths, but these …
Step #4 – Advanced 2 Hand Voicings Series Part 1
Stage 4 | Lesson: 38 | Step 4 - (theory) The setups learned in this step are crucial for creating perfectly balanced two hand voicings. You have to le…
Step #5 – Upper Structure Triads Dominants
Stage 4 | Lesson: 38 | Step 5 - (theory) The dominant chord contains the most amount of upper structure triads because it has the most amount of exten…
Step #1 – Hexatonic Minor 7th Chords (ii-, bIII maj)
Stage 4 | Lesson: 38 | Step 1 - (theory) In this step we’ll look at a hexatonic scale that can be used over minor 7th chords. This one isn’t compl…
Step #2 – b6 Pentatonic Scale
Stage 4 | Lesson: 38 | Step 2 - (theory) In this step we’ll learn the b6 pentatonic scale. I describe the sound and texture of the b6 pentatonic sca…