Step #2 – How To Voice Sus Chords
Stage 3 | Lesson: 29 | Step 2 - (Theory) You can voice a sus chord in many different ways but in this step we’ll go over the most popular and easies…
Course Categories: stage 3 theory
Step #3 – How To Use Sus Chords
Stage 3 | Lesson: 29 | Step 3 - (Theory) Ultimately, sus chords can be used however YOU want. In this step you’ll learn some general guidelines that…
Step #4 – Passing Chord Series 1: Diatonic Movement
Stage 3 | Lesson: 29 | Step 4 - (Repertoire) Passing chords are a great way to fill space when a harmony is sitting in the same spot for 2 bars. What …
Step #1 – Secondary Dominant Reharm
Stage 3 | Lesson: 28 | Step 1 - (Theory) The secondary dominant reharm is an amazing tool that we’ll combine with the other reharms we’ve learned.…
Step #2 – Secondary Dom, Tritone, & Relative 2 Minor Reharm
Stage 3 | Lesson: 28 | Step 2 - (Theory) This is the big kahuna of reharm combination. If you haven’t learned each reharm thoroughly on it’s own, …
Step #3 – Diminished Chords
Stage 3 | Lesson: 28 | Step 3 - (Theory) Diminished chords are usually slightly mysterious to the jazz student. In this step will explain what they ar…
Step #1 – Relative 2 & Tritone Combination Reharm
Stage 3 | Lesson: 27 | Step 1 - (Repertoire) This reharm combination can be heard all over the jazz world. It’s extremely popular and is a great way…
Step #1 – Reharm Series 2: Relative 2 Minor
Stage 3 | Lesson: 26 | Step 1 - (Theory) The relative 2 minor reharm is overlooked a lot because it’s simply the addition of a minor chord. But this…
Step #1 – Reharm Series 1: Tritone Substitution
Stage 3 | Lesson: 25 | Step 1 - (Theory) The Tritone substitution will be the first reharm to kick off our reharm series. You may have head of this or…