Stage 3 | Lesson: 31 | Step 9 – (Repertoire) The double time feel in ballads is a fantastic texture to spice things up and add a little pop to the tune. Here will learn exactly what double time feel means and how to implement it.

Stage 3 | Lesson: 31 | Step 11 – (Repertoire) In this step we’ll be integrating the LH comping single note line into the tune we’ve been working on.

Stage 3 | Lesson: 31 | Step 12 – (Repertoire) In this step we’re going to be integrating the passing block chord tool we worked on into our tune.

Stage 3 | Lesson: 31 | Step 13 – (Repertoire) In this step we’ll be integrating the ballad double time feel into our tune. In the beginning will want to over do it just to get the feel down as well as increase practice time.

Stage 3 | Lesson: 31 | Step 14 – (Repertoire) In this step we’ll using the ballad improvisation textures we worked on to solo with over “The Nearness of You”.

Stage 3 | Lesson: 31 | Step 15 – (Repertoire) Here we’ll implement some of the progressions we’ve learned leading into the tune “The Nearness of You”.

Stage 3 | Lesson: 31 | Step 16 – (Repertoire) We’re now integrating the 3 outros into the tune “The Nearness of You”

Stage 3 | Lesson: 31 | Step 17 – (Repertoire) Here we’re implementing our LH single note line improvisation strategy.

Stage 3 | Lesson: 31 | Step 5 – (Repertoire) The #IV-7b5 is a gorgeous sound that is not used often enough. You’ll be able to utilize this in many situations after you learn its function.

Stage 3 | Lesson: 31 | Step 6 – (Repertoire) This is an advanced strategy that you may need to save. But when you do tackle this it’ll create amazing opportunities for intros. The creation of an intro is true expression at its best.