

Step #3 – Half Step Below Bebop Exercise
Stage 2 | Lesson: 21 | Step 3 – (Technique) This half step below bebop exercise will give you an example of a line that should give your a ear a taste of what’s to come.
Stage 2 | Lesson: 21 | Step 3 – (Technique) This half step below bebop exercise will give you an example of a line that should give your a ear a taste of what’s to come.
Stage 2 | Lesson: 21 | Step 4 – (Repertoire) There are specific texture and movements that drastically change the sound of your solo piano playing. A lot of times we hear a player and simply don’t know why they sound good. Most of the time it’s because of the amazing textures and colors they’re using.
Stage 2 | Lesson: 21 | Step 5 – (Theory) So many times we go to learn bass lines and get a jumbled mess of what is supposed to happen. In this step we’ll start our 4 part, systematic journey to creating amazing sounding bass lines.
Stage 2 | Lesson: 21 | Step 6 – (Improvisation) Now we’ll start to use our half step bebop approach to improvise with. This will immediately start to change your mindset on how you approach lines since we’ve only been working diatonically up until this point.
Stage 2 | Lesson: 21 | Step 7 – (Improvisation) In this step we’ll use a combination of the half step below approach to lead into our dominant bebop scale.
Stage 2 | Lesson: 21 | Step 8 – (Repertoire) In this step we’ll explore and analyze the classic standard “Autumn Leaves”. It offers a nice balance of major and minor harmony through out the tune.
Stage 2 | Lesson: 21 | Step 9 – (Repertoire) In this step we will use our rootless voicing voiceleading skills to apply to the tune “Autumn Leaves”.
Stage 2 | Lesson: 21 | Step 10 – (Repertoire) In this step we’re integrating the RH Textures into the tune, “Autumn Leaves”.
Stage 2 | Lesson: 21 | Step 11 – (Repertoire) In this step we’ll be integrating the bass lines in the tune we’ve been working on.
Stage 2 | Lesson: 21 | Step 3 – (Technique) This half step below bebop exercise will give you an example of a line that should give your a ear a taste of what’s to come.
Stage 2 | Lesson: 21 | Step 4 – (Repertoire) There are specific texture and movements that drastically change the sound of your solo piano playing. A lot of times we hear a player and simply don’t know why they sound good. Most of the time it’s because of the amazing textures and colors they’re using.
Stage 2 | Lesson: 21 | Step 5 – (Theory) So many times we go to learn bass lines and get a jumbled mess of what is supposed to happen. In this step we’ll start our 4 part, systematic journey to creating amazing sounding bass lines.
Stage 2 | Lesson: 21 | Step 6 – (Improvisation) Now we’ll start to use our half step bebop approach to improvise with. This will immediately start to change your mindset on how you approach lines since we’ve only been working diatonically up until this point.
Stage 2 | Lesson: 21 | Step 7 – (Improvisation) In this step we’ll use a combination of the half step below approach to lead into our dominant bebop scale.
Stage 2 | Lesson: 21 | Step 8 – (Repertoire) In this step we’ll explore and analyze the classic standard “Autumn Leaves”. It offers a nice balance of major and minor harmony through out the tune.
Stage 2 | Lesson: 21 | Step 9 – (Repertoire) In this step we will use our rootless voicing voiceleading skills to apply to the tune “Autumn Leaves”.
Stage 2 | Lesson: 21 | Step 10 – (Repertoire) In this step we’re integrating the RH Textures into the tune, “Autumn Leaves”.
Stage 2 | Lesson: 21 | Step 11 – (Repertoire) In this step we’ll be integrating the bass lines in the tune we’ve been working on.