Stage 2 | Lesson: 24 | Step 5 – (Theory) Creating diatonic movement within your bass lines is how we’re going to connect our bass lines together. You can think of the diatonic movement as the glue that holds everything together.
Stage 2 | Lesson: 24 | Step 2 – (Theory) This is an extremely important bebop approach that you’re going to hear A LOT! Once you play it for the first time you’re going to say, “Oh my god…yes…that is the bebop sound!”
Stage 2 | Lesson: 23 | Step 1 – (Theory) The combination of bebop approach notes is where the real fun begins. The combination of the approaches is whats going to allow you to create an authentic bebop sound in your improvisation.
Stage 2 | Lesson: 23 | Step 3 – (Theory) The 3rd step in adding on to our bass lines will be integrating a half step below approach to the chord tone we’re targeting.
Stage 2 | Lesson: 23 | Step 4 – (Theory) Don’t freak out when you hear the word tenths. There are a lot of ways to utilize this strategy even if you cannot reach them. Tenths allow for many opportunities in jazz piano even if you roll them or jump.
Stage 2 | Lesson: 22 | Step 1 – (Theory) The chord scale above bebop approach won’t seem like much at first, but when combined with the half step approach and others we’ll be learning, it’s going to make all the difference in your bebop sound.
Stage 2 | Lesson: 22 | Step 2 – (Theory) In this step we’ll be learning how to connect our dominant 7th bebop scale into our major 6th bebop scale to create a smooth and fluid transition.
Stage 2 | Lesson: 22 | Step 5 – (Theory) In this step we’re building on our bass lines now and filling our next beat with an octave or a 5th. You will actually start to hear the formation of the bass lines in this particular step.
Stage 2 | Lesson: 21 | Step 1 – (Theory) This is going to be the very first step in our bebop approach note series. In this step we’re learning a very simple half step below approach. Mark my words that when you learn to use these approaches it’ll completely transform your improvisation for the better.
Stage 2 | Lesson: 21 | Step 2 – (Theory) In this step we’ll be learning about voiceleading rootless voicings. By now I’m sure you know its best practice to voicelead harmonies. You’ll learn how to do it with your rootless voicings in this step.
Stage 2 | Lesson: 24 | Step 5 – (Theory) Creating diatonic movement within your bass lines is how we’re going to connect our bass lines together. You can think of the diatonic movement as the glue that holds everything together.
Stage 2 | Lesson: 24 | Step 2 – (Theory) This is an extremely important bebop approach that you’re going to hear A LOT! Once you play it for the first time you’re going to say, “Oh my god…yes…that is the bebop sound!”
Stage 2 | Lesson: 23 | Step 1 – (Theory) The combination of bebop approach notes is where the real fun begins. The combination of the approaches is whats going to allow you to create an authentic bebop sound in your improvisation.
Stage 2 | Lesson: 23 | Step 3 – (Theory) The 3rd step in adding on to our bass lines will be integrating a half step below approach to the chord tone we’re targeting.
Stage 2 | Lesson: 23 | Step 4 – (Theory) Don’t freak out when you hear the word tenths. There are a lot of ways to utilize this strategy even if you cannot reach them. Tenths allow for many opportunities in jazz piano even if you roll them or jump.
Stage 2 | Lesson: 22 | Step 1 – (Theory) The chord scale above bebop approach won’t seem like much at first, but when combined with the half step approach and others we’ll be learning, it’s going to make all the difference in your bebop sound.
Stage 2 | Lesson: 22 | Step 2 – (Theory) In this step we’ll be learning how to connect our dominant 7th bebop scale into our major 6th bebop scale to create a smooth and fluid transition.
Stage 2 | Lesson: 22 | Step 5 – (Theory) In this step we’re building on our bass lines now and filling our next beat with an octave or a 5th. You will actually start to hear the formation of the bass lines in this particular step.
Stage 2 | Lesson: 21 | Step 1 – (Theory) This is going to be the very first step in our bebop approach note series. In this step we’re learning a very simple half step below approach. Mark my words that when you learn to use these approaches it’ll completely transform your improvisation for the better.
Stage 2 | Lesson: 21 | Step 2 – (Theory) In this step we’ll be learning about voiceleading rootless voicings. By now I’m sure you know its best practice to voicelead harmonies. You’ll learn how to do it with your rootless voicings in this step.
