Step #9 – Hexatonic Altered Chords (bV, bVI)
Stage 5 | Lesson: 45 | Step 9 - (improvisation) As I mentioned before, it’s very important to hear all the individual extensions as they produce ver…
Course Categories: improvisation
Step #7 – Hexatonic -7b5 Chords (bVII, Io)
Stage 5 | Lesson: 44 | Step 7 - (improvisation) I love the texture that his hexatonic sound produces because of the natural 11 that contrasts with the…
Step #8 – Hexatonic Minor Major Chords
Stage 5 | Lesson: 43 | Step 8 - (improvisation) We’ll work on improvisation with two diminished triads to produce a hexatonic texture over minor maj…
Step #10 – Hexatonic Major 7th
Stage 5 | Lesson: 42 | Step 10 - (improvisation) In this step we’re improvising over a major7th chord using the 3 and #6 diminished triad. Be sure y…
Step #13 – 3-4 Improv
Stage 5 | Lesson: 41 | Step 13 - (improvisation) Improvisation in a 3/4 time signature usually takes so time to get used to. Practice feeling the 3/4 …
Step #12 – Hexatonic Augmented 7th Chords (bVII+, I+) Improv
Stage 5 | Lesson: 41 | Step 12 - (improvisation) When improvising with augmented triads, it’s crucial your ear get accustom to the #5 sound. If it d…
Step #5 – Hexatonic Series Sus Chords
Stage4 | Lesson: 40 | Step 5 - (improvisation) In this step will check out the texture and sound this sus hexatonic scale is going to create over all …
Step #6 – Hexatonic Major 7th Chords Improv
Stage 4 | Lesson: 39 | Step 6 - (improvisation) In this step we’ll be using a major 7th hexatonic scale to improvise with. The 13 and #11 provide th…
Step #6 – Hexatonic Minor 7th Improv
Stage 4 | Lesson: 38 | Step 6 - (improvisation) The improvisation process with this hexatonic scale won’t produce a drastic sound that you’re unfa…
Step #7 – b6 Pentatonic Improv
Stage 4 | Lesson: 38 | Step 7 - (improvisation) The b6 pentatonic creates a very spacey, and exploration type of sound. This is great for floaty atmos…